Milena Stefanovic holds a B.A. in Philosophy, Faculty of Philosophy, University of Belgrade (2002) and a Master in Public Administration (MPA), University Luigi Bocconi, Milan (2006). She is currently persuing Doctoral Academic Studies of Management in culture and media at the University of Belgrade.
After graduating at Bocconi she worked at the Italian Embassy in Belgrade on different projects, mainly in the area of cultural and business cooperation, followed by a six-month professional traineeship at the Administration of the European Parliament in Brussels, at the Foreign Affairs Committee, dealing with policy issues related to EU integration of the Western Balkans region.
From 2006-2008 she collaborated in different projects in Brussels, at Human Rights Watch, and at South-East European TV Exchanges (media projects). After returning to Serbia, she worked in public affairs and lobbying, in the meantime starting doctoral studies at the Faculty of Drama Arts in Belgrade focusing her research on cultural policy and management in culture. The topic of Milena’s doctoral research is the relation among different management theories (New Public Management, Theory of Change, Stakeholder theory, Balance scorecard), instrumental cultural policy and possibilities of applying some aspects of these theories (performance management and evaluation) to contemporary setting of Serbian cultural institutions. Also, the aim of her research is to define a new cultural model, one between state intervention and neoliberalism.
Since 2011, Milena is an Assistant Lecturer at the Faculty of Dramatic Arts (with professor Milena Dragicevic Sesic and Vesna Djukic) and has been Assistant Lecturer at the Faculty of Fine Arts between 2011 and 2012. Some of the courses she teaches are: Human resources management in culture and media; Cultural diplomacy; Management in culture; financial management in cultural institutions; General management. She has also been involved in civil society activism for the Forum for Culture, European Movement in Serbia since 2013, and CESID – Centre for Free elections and democracy since 2003.Tags: civil society, cultural diplomacy, cultural management, cultural policy, cultural research, international projects, performing arts
Paolo Mele is a PhD student in Communication & New Technologies at IULM University in Milan and Visting Researcher at the New School for Public Engagement in New York. He is a cultural and digital project manager and has recently worked with several international organisations such as: the World Bank (Washington, USA), New Art Exchange (Nottingham, UK), Fondazione Veronesi (Milan, Italy) Fondazione Chivasso (Chivasso, Italy), and others.
He is founder and director of Ramdom, an organization working in the field of contemporary art (exhibition, residencies, masterclass) and culture. Paolo also organised two editions of Default, an international masterclass on “Arts, cities and regeneration”. He has been project manager for the Biennial of Young Artists from Europe and Mediterranean (Bjcem) from 2008 to 2012, where he has been responsible of the cultural programme in Bari (2008) and Skopje (2009) and for Digital Communication in Rome and Salonicco (2011).
In 2006 Paolo funded and coordinated the Observatory of Communication Politics (OCP) at the University of Salento. He is also founder of Cooperativa PAZ, a communication and advertising company based in Apulia region. Paolo has published two books on media and politics and wrote several essays and articles. His current research focus is on new media (art) and cultural policies.
Tags: cultural management, cultural policy, cultural research, international networks, international projects, new media, project management, public art
Per Mangset is a Sociologist of Culture and has been a Professor at Telemark University College since 2000. He is also a part time senior researcher at Telemark Research Institute and head of Centre for Culture and Sport Studies, Telemark University College. He has conducted several research projects sponsored by the Research Council of Norway – and some projects sponsored by public authorities (Ministry of Culture, Arts Council).
Together with Dorte Skot-Hansen he initiated the “International Conference on Cultural Policy Research” (ICCPR), whose Scientific Committee he currently cooordinates. He is also a member of the Editorial Board of the International Journal of Cultural Policy Research and a national expert for the Compendium of Cultural Policies and Trends in Europe.Tags: arts, Compendium of Cultural Policies and Trends in Europe, cultural cooperation, cultural entrepreneurship, cultural policy, cultural research
Raluca Pop is a cultural policy expert and head of Romanian CubicMetre NGO based in Budapest. Her first experience in the cultural policy field was in 2007 when she started working for the Romanian Cultural Contact preparing the programme for the 2008 – European Year of Intercultural Dialogue as national coordinator. In 2010 she enrolled in an MA in Public Policy at the Central European University in Budapest.
In 2010 Raluca coordinated a project called “Active Culture – resources for advocacy for the independent cultural sector,” which established a series of 15 workshops, presentations and debates, as well as a resource library dedicated to the legislation of good governance, examples of effective advocacy and lobbying for public culture and the status of independent culture in Europe. During this project together with Stefania Ferchedau she edited a publication comprising a history of last 20 years of contributions of the independent cultural sector in Romania to cultural policy reform.
During the VOTE CULTURE 2013 project she co-organized a series of debates and drafted a manifesto for living culture, in the context of general elections in Romania. The Charter for Living Culture is now a reference document for public administrators and young researchers interested in the cultural sector in Romania.
Raluca also worked for one year and a half for the Romanian Academic Society, a think-tank known for its anti-corruption work on a research project dealing with defrauding of European structural funds. In late 2013 she also coordinated a series of debates concerning this topic.Tags: cultural advocacy, cultural policy, cultural research, international projects, non-governmental organizations
CubicMetre – Resources for Culture is a Bucharest-based NGO set up in 2012 with the aim of becoming a platform for meetings and debates and a pool of expertise for the professionals in the field of culture. It aims to explore, support and help develop the cultural sector through specialised studies and interdisciplinary projects and by creating concrete favourable contexts in which artists, cultural operators, researchers and authorities can meet and communicate.
It advocates professional cultural management and a democratic process of substantiating cultural policies and good governance at national level. CubicMetre also has an interest in researching and influencing the quality and processes of cultural governance at local, national and European levels. It has been a member of Culture Action Europe since August 2013.
In 2013 CubicMetre participated in “Cultural governance services – CULTEMA PROJECT,” which aims to increase the attractiveness of South East European regions by advocating for investments in cultural heritage as a factor of economic growth for local communities. It is also part of the European Cultural Parliament Youth Network in Romania and since September 2013 maintains a permanent column on cultural policy in “Dilema Veche,” one of the highest rated cultural magazines in Romania.Tags: cultural advocacy, cultural funding, cultural management, cultural policy, cultural research, Governance of Culture, living culture, non-governmental organizations, non-profit organizations
Bård Kleppe received an MA in Cultural Studies in 2007 and has been working as a researcher at the Telemark Research Institute since 2008. He is a PhD scholar at Telemark University College, where he is persuing his PhD topic entitled ‘International comparative analyses of the working conditions in the performing arts’.
Bård has been working with projects concerning arts in education, working conditions of performing artists, sponsoring of festivals and rural museums and also worked as a museum pedagogue at the Ryfylke Museum.
He has published several reports and articles in the field of cultural policy. He is also one of the Norwegian authors of the Compendium of Cultural Policies and Trends in Europe.Tags: arts education, cultural funding, cultural policy, cultural research, museums, Norway, performing arts
The University of Warwick Centre for Cultural Policy Studies provides a focus for teaching and research in cultural management, cultural policy, media and communications, social enterprise and the creative and media industries. It is run by a multidisciplinary team of full-time staff supported by a range of distinguished practitioners and visiting experts. The Centre has awarded over 500 Masters degrees with students going on to PhD at Warwick. Its alumni network is global and its expertise is regularly called upon for research and consultancy work in the fields of cultural policy, media, culture, communications and the creative industries.
It forms part of an international network that connects with researchers, cultural managers and creative organisations and businesses in many parts of the world. It teaches students from the UK, different countries in Europe and other continents. The Centre has partnerships and contracts with a variety of institutions including the Arts and Humanities Research Council (AHRC), Economic and Social Research Council (ESRC), the Higher Education Funding Council for England (HEFCE) and Arts Council England (ACE).
Founding members of the Centre have helped define the field of cultural policy studies, notably through the International Journal of Cultural Policy and the International Conference on Cultural Policy Research (ICCPR). The Centre’s research seeks to inform policy and to engage with industry and communities, contributing to projects on aesthetic practice, digital innovation, heritage management, arts impact and the management of creativity through commissioned research, collaborative projects, industry seminars, conferences and workshops and by creating partnerships and networks with key institutions and agencies both nationally and internationally.Tags: creative industries, cultural management, cultural policy, cultural research, education, international networks, media, United Kingdom
Zlatko Teodosievski is an independent cultural researcher and art critic, and a senior curator in the National Gallery of Macedonia. He is active as curator of art exhibitions and writer of different papers, essays and studies on the issues of Macedonian culture.
Previously he was Director of the National Gallery of Macedonia, and Assistant Minister and Deputy Minister in the Ministry of Culture of Macedonia. He has been a member of different national and international organizations (International Council of Museums, Association of International Art Critics, Association of Art Historians of Macedonia, Republic Committee of Culture).
He attended post-graduate studies at the Faculty of Philosophy (Contemporary Art History) in Belgrade after having studied History and Art History at the University of Skopje.
Zlatko is a national expert for the Compendium of Cultural Policies and Trends in Europe (http://www.culturalpolicies.net/).Tags: art history, Arts Policies, Compendium of Cultural Policies and Trends in Europe, cultural policy, cultural research, Macedonia, museums
Viktoras Liutkus is Lithuanian cultural policy expert. He is a Head of the Department of Painting at the Vilnius Academy of Fine Arts (since 2005) and since 2001 he is also Director of NGO “Cultural Observatory” , as well as, a Lecturer on Culture Policy at UNESCO Chair for Cultural Management and Cultural Policy at Vilnius Academy of Fine Arts. From 2003-2005 he was Director of Maldis Art Gallery, Vilnius.
Viktoras takes part in national and international cultural policy research projects dealing with local and regional culture, situation of artists’, strategic planning of culture development. He was the founder of the NGO “Cultural Observatory” and was a co-author and member of experts group for the preparation of Lithuanian National Report in 1997. Viktoras is also a national expert for the Compendium of Cultural Policies and Trends in Europe (http://www.culturalpolicies.net).
In the 1980s and 1990s he was the Secretary for Science and curator of international programmes at the Lithuanian Art Museum, Head of the European Integration Division at the Ministry of Culture and the adviser to the Minister of Culture of Lithuania, and the Lithuanian Delegate to the Culture Committee of the Council of Europe.
Alongside his public servant and academic career he was executive director of the Lithuanian Artists’ Association, a member of the Museums’ Council of Lithuania, the Chairman of Experts Commission of the Lithuanian Culture Support Foundation. Viktoras is also member of Lithuanian Artists’ Association, National Section of International Association of Art Critics (IAAC/AICA) and the Lithuanian artist Group 24.
In addition to his writings in the field of cultural policy, he is also the author of several monographs on Lithuanian painting in the 20th century and co-author of studies on contemporary Lithuanian art. His PhD thesis was “The Manifestations of Constructivism in Lithuanian Art”.Tags: art criticism, arts research, Compendium of Cultural Policies and Trends in Europe, cultural management, cultural policy, cultural research, international projects, Lithuania, non-governmental organizations
Vesna Srnić is a professor of Art History and Comparative Literature. She has been teaching “Media Culture” and “Multimedia Culture” at the Croatian Faculty of Teacher Education in Osijek for 8 years and has taught “New Media Genres” at the board of The Faculty of Culturology in Osijek during 2010.
Dr. Srnic defended her interdisciplinary doctoral thesis „Electronic media and Aesthetics in Postfeminist Theory“ at the department of Philosophy of the Faculty of Humanities and Social Sciences in Zagreb, in September, 2011. (http://media-via.net/scientific-research) and the dissertation is published at Belgian On Demand publisher ShopMyBook (http://www.shopmybook.com/Dr%252E-sc%252E-Vesna-Srni%C4%87/Elektronski-mediji-i-estetika-u-postfeministi%C4%8Dkoj-teoriji).
She has edited electronic magazines such as “Art and Ecology for Planet Europe” (http://planet-europe.sbnet.hr) and “Media-via” (http://media-via.net). Her international project “Glocal Multimedia Art: Urban Performance” (2010-2011) was created in collaboration with two schools from the US and Israel, and was realised with support from UNESCO and the Croatian Ministry of Culture. As a president of NGO “ARTHEA: Culture, Media and Education” in 2011 She initiated the project “Glocal Multimedia Culture,” focusing on aesthetical/ethical revolt against corruption.
Vesna regularly present papers at and participates in conferences in Croatia and abroad (eg. Croatian Academic Research Net (CARNet) conferences and the XV. International Scientific Conference Society and Technology, the symposium „Philosophy of Media” (Opatija, 2012), Arts and Sciences” conference in Munich, 2013, 4th International Conference on the Arts in Society (Venice, Italy), etc.).
She is included in the EACEA (The Education, Audiovisual and Culture Executive Agency) list of potential experts in 2013.Tags: Croatia, cultural research, international conferences, international projects, media policy, multimedia research, non-governmental organizations