Marie-Christine Bordeaux is a Vice-president for Culture and Student Life of Stendhal University in Grenoble. She is a deputy publications director of the review Culture et Musees, and second-in-charge of l’ARC 5 ‘Cultures Sciences, Societies and Mediations’. She is a member of the High Council for artistic and cultural education, for what are known as specific public groups, amateurs and for current issues of democratization and cultural democracy.
Marie-Christine Bordeaux has conducted research on forms of cooperation between artists and scientists and has a number of publications including: ‘For the right to artistic education. A Franco-German plea’ (2014), ‘Artistic education, eternal return? A national ambition put to the test at local and regional levels’ (2013), ‘Amateur theatre and the experience of art. Accompaniment and autonomy’ (2011) etc.
She has directed several collective publications and collaborates regularly with the Observatory of Cultural Policy.Tags: cultural cooperation, cultural education, cultural policy, democracy building, France
Montserrat Casanovas is a cultural professional who during her career at national and international level has had the opportunity to work in a wide diversity of projects on different cultural fields. This allowed her to gain arelevant knowledge of the project cycle management of cultural projects, and to have a transversal perspective of culture and its role within each specific context.
Since 1999 her job as Project and Programme Manager of Culture at international level has brought her to work on cultural cooperation, and culture and development with different international organizations. She has worked at UNDP (United Nations Development Programme), UNESCO and European Commission in several countries of the Southern and Eastern Mediterranean.
At national level, her experience includes cultural projects and action plans with the City Council of Barcelona and the Regional Council of Barcelona.
Among of the tasks she has developed there are: the definition, implementation, supervision, monitoring and evaluation of cultural projects; the definition of guidelines for call for proposals, and the selection of proposals. In addition, she has been involved in the organization and coordination of several international conferences, exhibitions, and events.
At present she is preparing her PhD research on international cultural cooperation at the Universitat de Barcelona. Since 2012 she is a lecturer of a Master on “International Cultural Management” and a Master on “Arab and Islamic World” at the Universitat de Barcelona.
Per Mangset is a Sociologist of Culture and has been a Professor at Telemark University College since 2000. He is also a part time senior researcher at Telemark Research Institute and head of Centre for Culture and Sport Studies, Telemark University College. He has conducted several research projects sponsored by the Research Council of Norway – and some projects sponsored by public authorities (Ministry of Culture, Arts Council).
Together with Dorte Skot-Hansen he initiated the “International Conference on Cultural Policy Research” (ICCPR), whose Scientific Committee he currently cooordinates. He is also a member of the Editorial Board of the International Journal of Cultural Policy Research and a national expert for the Compendium of Cultural Policies and Trends in Europe.Tags: arts, Compendium of Cultural Policies and Trends in Europe, cultural cooperation, cultural entrepreneurship, cultural policy, cultural research
Burcu Yilmaz’s fields of expertise include arts and cultural management, culture and development, cultural cooperation, intangible cultural heritage and performing arts. She holds a Master’s Degree in Cultural Heritage Management from Koc University in Istanbul (2007). Burcu also attended the certificate program titled “Culture and Arts Management Program” organized by the European Cultural Association in 2005.
She is one of the contributors of the book entitled “Turkish Cultural Policy: Report a Civil Perspective,” published in 2011 as a result of the Independent Cultural Policy Report of Turkey project, focusing on the civil society’s perspective of Turkey’s cultural policy as an alternative to the National Report.
Between 2007-2010, she has worked for Anadolu Kultur (an independent cultural network creating artistic structures and improving local cultural policies in various cities of Turkey). During this time, in addition to many projects concentrated on cultural diversity, arts and development, and cultural cooperation, she participated in the project “Invisible Cities: Building Capacities for Local Cultural Policy Transformation in Turkey” (2008-2010). In 2010 she was a member of the Technical Advisory Board for the UN Joint Program Alliances for Culture Tourism in Eastern Anatolia.
From 2010 to 2012 Burcu has worked in Kathmandu, Nepal, as voluntary consultant on artistic and cultural projects dedicated to development. As a short-term expert she worked for TACSO Turkey (Technical Assistance for Civil Society Organizations), which is funded by the European Union, conducted research and edited many publications related to capacity building, civil participation, funding, etc. (2012-2013)
Currently, Burcu lives between Strasbourg and Istanbul. She is working as a freelance consultant for NGOs in Turkey and Nepal, and also as an external expert for the Education, Audiovisual and Culture Executive Agency (EACEA) of the European Commission. Apart from that she is completing her second Master’s Degree in performing arts in the University of Strasbourg and taking part in artistic projects. Burcu is also in the board of directors of Hall de Chars (a cultural center dedicated to artistic creation) in Strasbourg.Tags: arts management, civil society, cultural cooperation, cultural diversity, cultural heritage management, cultural management, culture and development, France, intangible heritage, Nepal, non-governmental organizations, performing arts, Turkey
Martina Borovac Pečarević works as Head of Directorate for European Affairs and Media at the Ministry of Culture of the Republic of Croatia where she is in charge of EU funding/projects (coordinator of the process of programming 2014-2020) and EU programmes (Culture 2007-2013/Creative Europe), international cultural cooperation, media, digitization of cultural heritage, Croatian cultural strategy 2014-2020 – cultural policies, cultural and institutional reform, cultural management and education in cooperation with Kennedy Center Washington.
From 2004 until 2011 she worked at the Ministry of Foreign and European Affairs, where she was dealing with international cultural cooperation, political issues, negotiation and accession to the EU and the relations with the EU institutions.
From 2006 until 2010 she was a cultural attaché at the Embassy of the Republic of Croatia in the Kingdom of Belgium, but also dealt with politics and from 2009 also worked as a head of the consular section.
In 2011 Martina obtained a PhD with the thesis “Prospective Development of the European Cultural Policies: Intercultural Dialogue and Multiculturalism” at the Faculty of Humanities and Social Sciences, University of Zagreb.Tags: Belgium, Croatia, cultural cooperation, cultural management, EU cultural policies, intercultural dialogue, media, multiculturalism, project management
Charles Vallerand has more than 20 years of experience in the field of cultural policies, half of which were devoted to international cultural cooperation within the Francophonie, including at the Canadian Embassy in Paris. In particular, he held the position of Executive Assistant to the Vice-President of the French-language television services of the Canadian Broadcasting Corporation after having filled several senior management positions at TV5 Quebec Canada. Until recently, he was the communications director for a non-governmental organization dedicated to the implementation of the International Bill of Human Rights of the United Nations through cooperation programs with civil society organizations in some 15 developing countries.
He is the Executive Director of the Canadian Coalition for Cultural Diversity and General Secretary of the International Federation of Coalitions for Cultural Diversity present in 43 countries. This international NGO plays a lead role in advocating for participatory governance in policy making for the protection and the promotion of the diversity of cultural expressions and the recognition of the distinctive nature of cultural goods and services in the context of global trade liberalization. It is an official partner with consultative status of UNESCO and serves on the NGO-UNESCO Liaison Committee.Tags: Canada, cultural cooperation, cultural management, cultural participation, cultural policy, cultural research, media policy
Fibicc is a nonprofit institution that promotes training, cooperation and specific research in the fields of culture, art and creativity, in Europe, Latin America and Africa.
It’s mission is to contribute to social and economic development through the promotion of cultural entrepreneurship, creative community support schemes, the establishment of collaborative networks and through research of cultural policies and management models in the field of creative industries.
It’s aim is to respond to the growing importance of cultural and creative industries in the global economic scenario by:
- Supporting those who want to innovate in the field of culture and creativity worldwide, from entrepreneurs to managers, designers, programmers and researchers;
- Contributing to the development of top professionals in the industry through our educational programmes in collaboration with several universities and academic institutions;
- Encouraging the development of culture in Spain, Latin America and Africa;
- And making regular research and divulgation work in order to help consolidate and improve practices within an industry with a long road ahead.
It’s goals are:
- The promotion of Spanish and Latin American culture, with a special focus on the use of new technologies.
- The promotion and encouragement of cultural and creative industries throughout the Spanish territory, with a special interest in supporting young cultural actors, and therefore entrepreneurship.
- To promote research and development of technological and digital media tools for cultural and creative entrepreneurs.
- The strengthening of vocational education and specialized training in the sector;
- To encourage and contribute to scientific research and dissemination in the field of cultural economy.
- Promoting international development cooperation in the field of arts and culture.
- The transmission of the social economy’s values.
Eduard Miralles is the Cultural Relations Advisor at the Barcelona Provincial Council, where he also managed the Cultural Studies and Resources Center (1996-2004) and the biennial “Interacció” on cultural policies (1996-2002).
He is also the chair of the Interarts Foundation, an organisation focused on international cultural cooperation, and a consultant on culture, cooperation and development for several international organisations such as FEMP (Spanish Federation of Municipalities), AECID (Spanish Cooperation for Development Agency) and the OEI (Iberoamerican States’ Organisation for Education, Science and Culture).
During 2002-2004 he was on the committee for the Agenda 21 for Culture and after 2004 represented the Barcelona Provincial Council at the Culture Commission of the United Cities and Local Government (UCLG). Eduard Miralles is also a board member of Roberto Cimetta Fund, an international non-profit organisation supporting artistic mobility in the Mediterranean region. Since 2007 he takes part in the UNESCO’s international group of experts for development of the Convention for Cultural Diversity.
- (2010). “Casi cincuenta años de relaciones entre la cultura y el desarrollo: de la cultura como factor de desarrollo al desarrollo cultural”, en El sector cultural hoy: oportunidades, desafíos y respuestas. Memorias. Bogotá: Universidad Tecnológica de Bolívar, Ministerio de Cultura de Colombia.
- (2009). Cultura, cooperación descentralizada y desarrollo local. Montevideo: Observatorio de Cooperación Descentralizada.
Alfons Martinell’s profesional interests are focused on issues related to cultural policies, cultural development, cultural cooperation and cultural management. Based at University of Girona, where he is Full Professor and a Director of the UNESCO Chair ‘Cultural Policies and Cooperation’, he is engaged in applied research, knowledge transfer and education within the above mentioned fields, as well as in various international cultural cooperation projects. He has published books and articles dealing with topics of cultural management, cultural policies, culture and development, international cultural cooperation, social education, etc.
In addition, Alfons is co-director of the Laboratorio Iberoamericano de Investigación e Innovación en Cultura y Desarrollo, based in Cartagena de Indias (Colombia) and Girona. Within this framework, the review Revista de Investigación en Cultura y Desarrollo Wale’keru is being published.
Alfons Martinell’s profesional experience includes also:
- General Director of Cultural and Scientific Relations at the Agencia Española de Cooperación Internacional. ( May 2004 – July 2008 )
- President of the Fundación INTERARTS, Observatorio Políticas Culturales Urbanas y Regionales based in Barcelona.
- Expert in the field of education on cultural management, cultural cooperation and cultural policies
- Academic Director of the Campus Euroamericano de Cooperación Cultural